Director: John Moore
Production company: Russell Avis Productions
Client: Kerry Foods
Film | Edit
Director: John Moore
Production company: Russell Avis Productions
Client: Kerry Foods
Director: Richie Smyth
Editor: Hugh Chaloner
Production company: Dreamchaser Productions
Artist: U2
Song: Until the End of the World
Director: John Butler
Production company: RTE Promotional
Client: RTE News
SHARK AWARDS WINNER: BRONZE in the category of TV PROMOS | Best News / Current Affairs / Factual Promos
Director: John Moore
Production company: Russell Avis Productions
Client: Eircom
Director: Meiert Avis
Production company: Windmill Lane Productions
Client: Coca Cola
Director: Meiert Avis
Production company: Windmill Lane Productions
Artist: Bob Dylan
Song: Series of Dreams
Director: Lenny Abrahamson
Production company: Speers Films
Client: The Irish Times
Director: John Hayes
Production company: Toytown Productions
Client: Finches
Director: John Hayes
Production company: Toytown Productions
Client: Finches
Started thinking about recent movies I’ve really enjoyed from an editor’s perspective, and one that springs to mind is 21 Grams, a fairly bleak piece of movie making but brilliantly edited by Stephen Mirrione.
The first time I watched 21 Grams, I was fairly disorientated for 20 minutes or so, and then the whole non-linear theme became less confusing. In a sense the movie started to wash over me. Brilliant performances by Sean Penn, Naomi Watts and Benicio Del Toro. I suppose this non-linear way of telling stories is a lot like the way memory can work, not necessarily sequential.
The whole non-linear telling of the story can also be likened to the modern editing process – it’s easy to see how chunks of scenes could easily be moved around a timeline with ease. What must have been difficult though, is keeping sufficient distance from the story in order to evaluate the restructuring processes. Objectivity can be difficult to come by in the late stages of a cut, and drastic changes are often hard to assimilate.
Sometimes I need to go and have a good hard stare at a blank wall.